THE CHAPEL     CONSTRUCTION

THE
CONSTRUCTION OF
THE CHAPEL

Inspiration, planning and designing

Rev Gaster and Rev Fraser were nothing if not pioneers. At a time when most Europeans were content to build churches in their own Gothic style, Gaster and Fraser were more inspired by the local Sinhalese architecture. Prototypes for this Chapel can be found in the audience halls of at Embekke and Temple of the Sacred Tooth Relic. The difference is that the pillars of these buildings are of wood. At Trinity, inspired by ancient buildings in Anuradhapura, Fraser and Gaster built for Eternity.

“From the seed of an inspiration to a monument built for eternity”

Polonnaruwa: The inspiration from circa 1100 AD

Putting pen to paper: the inspiration germinates into a plan

Inspired by Sri Lanka’s exquisite architecture of stone buildings, blue prints were arranged to construct a Chapel of stone pillars.

The floor Plan

South Elevation of the Chapel

The plan develops into general perspectives

Gaster’s drawings allowed for a flat ceiling, like that to be seen in the chancel, and galleries for Choir and organ. Financial and engineering considerations made it difficult for this work to be carried out. Some indeed like the soaring Kandyan roof as it is!

Sketch by Rev Gaster

A sketch with a tall bell tower

Detailed renderings of the interior as envisaged by Rev. Gaster

From two dimensions to three: Rev. L. J. Gaster’s Model

Craftsmanship, transporting and construction

The rock face had to be split with human muscle power aided by steel wedges, sledgehammers, and crowbars, as blasting would have merely shattered the rock into pieces.

The fifty four pillars are made of granite quarried in Aruppola, 4 kilometres (2.5 mi) away. Some, in the chancel, are built in sections, but most have been hewn out of single blocks (5.5 metres (18 ft) long and 0.9 metres (3.0 ft) square), each of which weighing about 3 metric tons (3.0 t) before carving. The blocks were then hauled up to the college on a trolley by a pair of elephants. The first pillars to be erected, those by the pulpit and the south entrance, were fully carved at the quarry before being transported. The remainder were carved at the site of the chapel.

Detailed renderings of the interior as envisaged by Rev. Gaster

From two dimensions to three: Rev. L. J. Gaster’s Model

From two dimensions to three: Rev. L. J. Gaster’s Model

The monolithic pillar blocks had to be eighteen feet long and three feet square with no cracks or major blemishes. Each weighed about three tons

The blocks were hauled by two elephants, one pulling and one pushing, for a distance of three miles to the school premises; and then another three hundred feet up the slope of the hill to the Chapel site

Pillars on its way to College

Up the slope to the School on the Hill

Granite blocks being pulled and pushed by elephants

A stone block being unloaded at the construction site of the Chapel

Hard metal wheels and a tree trunk grab pole for the lead elephant

The granite block tied to a wheel cart

A block being pulled up to a wheel cart

Actual constructions commenced in 1923 and according to the plans drawn up, the building had to be constructed in granite stone of grey colour from ground level to the top level of the pillars and walls.” Above the pillars that were carved by local and South Indian craftsmen are the pillar heads. The sawn timber had to be turned into shape by skilful carpenters and wood carvers who did the exquisite carvings of the Pekadas, Pekada beams, doors and window frames in the chapel.

The Chapel floor being built

Carvings on granite stone...

...carved by local and South Indian craftsmen

Stone Masons at Work

Pillars being pulled up

Pillars after being erected

The Chapel before the roof was put

A visit from the Planters Association

From behind the Chapel

Two craftsmen standing next to a wooden carving

The West Entrance

The wood carvings

The ‘Pekadas’ wood carvings

Inside the Side Chapel

First pillar to be erected - one near the Side Chapel

The Chapel today

The skill and labour involved in raising such a structure with intricate artistic designs, lovingly and laboriously carved by hand on solid granite and hardwood, was so difficult that it eventually consumed the efforts of hundreds of individuals and spanned the lives of two and a half generations of Trinitians and craftsmen.

Since that time, no one in Sri Lanka has even dared to attempt such a mammoth task, even with the help of modern machinery.

But upon a hill in Kandy, amidst a school named Trinity, men of vision did it the Trinity way, and translated their dreams into reality with the help of generations of dedicated craftsmen and artists. They laboured for over fifty years to erect and decorate a hallowed building, lavishing upon it all their resources of art and architecture as in ancient times, reviving skills not practiced on such a scale for a thousand years. Thus did they leave something inspiring for generations of Trinitians yet to be born. It will stand as testimony to their vision, their labour of love, their skill, and their dedication, for a millennium to come.

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