THE
CONSTRUCTION OF
THE CHAPEL
Inspiration, planning and designing
Rev Gaster and Rev Fraser were nothing if not pioneers. At a time when most Europeans were content to build
churches in their own Gothic style, Gaster and Fraser were more inspired by the local Sinhalese
architecture. Prototypes for this Chapel can be found in the audience halls of at Embekke and Temple of the
Sacred Tooth Relic. The difference is that the pillars of these buildings are of wood. At Trinity, inspired
by ancient buildings in Anuradhapura, Fraser and Gaster built for Eternity.
“From the seed of an inspiration to a monument built for eternity”
Polonnaruwa: The inspiration from circa 1100 AD
Putting pen to paper: the inspiration germinates into a plan
Inspired by Sri Lanka’s exquisite architecture of stone buildings, blue prints were arranged to construct a
Chapel of stone pillars.
The floor Plan
South Elevation of the Chapel
The plan develops into general perspectives
Gaster’s drawings allowed for a flat ceiling, like that to be seen in the chancel, and galleries for Choir
and organ. Financial and engineering considerations made it difficult for this work to be carried out. Some
indeed like the soaring Kandyan roof as it is!
Sketch by Rev Gaster
A sketch with a tall bell tower
Detailed renderings of the interior as envisaged by Rev. Gaster
From two dimensions to three: Rev. L. J. Gaster’s Model
Craftsmanship, transporting and construction
“
The rock face had to be split with human muscle power aided by steel wedges, sledgehammers, and
crowbars, as blasting would have merely shattered the rock into pieces.
”
The fifty four pillars are made of granite quarried in Aruppola, 4 kilometres (2.5 mi) away. Some, in the
chancel, are built in sections, but most have been hewn out of single blocks (5.5 metres (18 ft) long and
0.9 metres (3.0 ft) square), each of which weighing about 3 metric tons (3.0 t) before carving. The blocks
were then hauled up to the college on a trolley by a pair of elephants. The first pillars to be erected,
those by the pulpit and the south entrance, were fully carved at the quarry before being transported. The
remainder were carved at the site of the chapel.
Detailed renderings of the interior as envisaged by Rev. Gaster
From two dimensions to three: Rev. L. J. Gaster’s Model
From two dimensions to three: Rev. L. J. Gaster’s Model
The monolithic pillar blocks had to be eighteen feet long and three
feet square with no cracks or major blemishes. Each weighed about three tons
“
The blocks were hauled by two elephants, one pulling and one pushing, for a distance of three
miles to the school premises; and then another three hundred feet up the slope of the hill to
the Chapel site
”
Pillars on its way to College
Up the slope to the School on the Hill
Granite blocks being pulled and pushed by elephants
A stone block being unloaded at the construction site of the Chapel
Hard metal wheels and a tree trunk grab pole for the lead elephant
The granite block tied to a wheel cart
A block being pulled up to a wheel cart
“
Actual constructions commenced in 1923 and according to the plans drawn up, the building had to be
constructed in granite stone of grey colour from ground level to the top level of the pillars and
walls.” Above the pillars that were carved by local and South Indian craftsmen are the pillar heads.
The sawn timber had to be turned into shape by skilful carpenters and wood carvers who did the
exquisite carvings of the Pekadas, Pekada beams, doors and window frames in the chapel.
”
The Chapel floor being built
Carvings on granite stone...
...carved by local and South Indian craftsmen
Pillars after being erected
The Chapel before the roof was put
A visit from the Planters Association
From behind the Chapel
Two craftsmen standing next to a wooden carving
The West Entrance
The wood carvings
The ‘Pekadas’ wood carvings
Inside the Side Chapel
First pillar to be erected - one near the Side Chapel
The Chapel today
The skill and labour involved in raising such a structure with intricate artistic designs, lovingly and
laboriously carved by hand on solid granite and hardwood, was so difficult that it eventually consumed the
efforts of hundreds of individuals and spanned the lives of two and a half generations of Trinitians and
craftsmen.
Since that time, no one in Sri Lanka has even dared to attempt such a mammoth task, even with the help of
modern machinery.
“
But upon a hill in Kandy, amidst a school named Trinity, men of vision did it the Trinity way, and
translated their dreams into reality with the help of generations of dedicated craftsmen and
artists. They laboured for over fifty years to erect and decorate a hallowed building, lavishing
upon it all their resources of art and architecture as in ancient times, reviving skills not
practiced on such a scale for a thousand years. Thus did they leave something inspiring for
generations of Trinitians yet to be born. It will stand as testimony to their vision, their labour
of love, their skill, and their dedication, for a millennium to come.
”